I cut for the moments
that make people
lean in.

About

Footage doesn't tell a story on its own — it just sits there until someone decides what it means. That's the job. Every clip gets weighed for what it's actually saying, then placed where it earns its moment: the setup, the turn, the payoff.

Ten years of cutting has taught me that pacing is storytelling. Where a scene breathes and where it doesn't, what stays out of frame, the half-second you hold before the cut — that's what turns a pile of clips into something people feel, not just watch.